Boris Glamocanin

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  • “Anatomy of the square”, 2024.
    “Anatomy of the square”, 2024.

    This body of work began during the COVID-19 pandemic, a period that coincided with a deeply challenging personal immigration process. In 2017, at the onset of the Trump presidency, I was arrested at home despite being legally married to an American citizen. The new administration’s aggressive stance on deporting undocumented immigrants, especially from countries associated…

  • Performance for “Crea Cubity”, 2022.
    Performance for “Crea Cubity”, 2022.

    The decision to explore performance as a form of artistic expression arose from an invitation by Majda Turkic to participate in the “Crea Cubity” project, which was supported by the United States Embassy in Sarajevo, Bosnia and Herzegovina. This project aimed to introduce performance art to a broader audience across Bosnia, with outdoor installations in…

  • “Ode to Revolutionaries and Myself”- ALL IN A DAY’S WORK, Brooklyn, NY, 2012.
    “Ode to Revolutionaries and Myself”- ALL IN A DAY’S WORK, Brooklyn, NY, 2012.

    The human figure has been a crucial element in the drawings and paintings . The multiple series of connect the dots by numbers have taken different forms through the years, often having autobiographical references . In this newest wall drawings, I try to moves away from the formal elements of a cartoon and opts to bring into play the…

  • “I don’t HEAR, I don’t SEE” – Project ” Ljubija kills”, 2010.
    “I don’t HEAR, I don’t SEE” – Project ” Ljubija kills”, 2010.

    I don’t hear, I don’t see is the action that is designed to help women from Ljubija – designed accessories for eyes and ears which will be displayed at the opening as well as for the entire duration of the exhibition. They will be displayed for sale. The money collected in this way will be…

  • Audio – visual installation ” Ljubija Kills”, 2010.
    Audio – visual installation ” Ljubija Kills”, 2010.

    “Ljubija Kills” is a sound installation in space, manhole cover dislocated from public space and moved into an indoor gallery space, designed as a table for four. With its domineering appearance, creating an intimate atmosphere for four people, the manhole that is apparently used as a table – table that speaks, forces (attracts) us to…

  • Intervention in public space “Saht Mat”, Project “LjUBIJA KILLS”, 2010.
    Intervention in public space “Saht Mat”, Project “LjUBIJA KILLS”, 2010.

    “Šaht mat” [play on words: šah mat = checkmate; šaht = manhole → šaht mat = manhole mate] is an intervention in public space, set up in several places across the city, where there usually are manholes. The final artistic move over socio-political order, the treatment of small towns, the future of the community. These…

  • Project “LJUBIJA KILLS”, “SPAPORT” 2010.
    Project “LJUBIJA KILLS”, “SPAPORT” 2010.

                                                                                   “LJUBIJA KILLS”                            …

  • Interactive Wall, “SHE and IT”, 2008.
    Interactive Wall, “SHE and IT”, 2008.

    All the works are based on the idea of a game and search for identity in playing. The paintings, installation and mural offer the viewer different playing modes and participation in the game, so in the mural the viewer can reconstruct “incomplete identities” by connecting dots, or there is a huge toy rabbit one can…

  • “SHE and IT” 2008.
    “SHE and IT” 2008.

    All the works are based on the idea of a game and search for identity in playing. The paintings, installation and mural offer the viewer different playing modes and participation in the game, so in the mural the viewer can reconstruct “incomplete identities” by connecting dots, or there is a huge toy rabbit one can…

  • “Play with me in the rabbit hole” art installation, “SHE and IT”, 2008.
    “Play with me in the rabbit hole” art installation, “SHE and IT”, 2008.

    All the works are based on the idea of a game and search for identity in playing. The paintings, installation and mural offer the viewer different playing modes and participation in the game, so in the mural the viewer can reconstruct “incomplete identities” by connecting dots, or there is a huge toy rabbit one can…

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Boris Glamocanin

Artist

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Los Angeles

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